Showing posts with label Fabric Stabiliser. Show all posts
Showing posts with label Fabric Stabiliser. Show all posts

Thursday, 19 January 2017

Cutting Felt with Cameo 3 - Cactus Cushion Cover




Hello,
Janet here with a post on cutting felt on the Silhouette CAMEO® 3.  I've added tips throughout these instructions for decorating a blank cushion cover using a cute cactus design by Doodlebug Designs.




In a previous post I used my Silhouette Curio™ to cut felt without stabiliser.  That technique (which can be used on Cameo cutting machines too, but only where the felt is quite thin) is only necessary where both sides of the felt are visible.  I made a booklet-style needle case where both sides of the 'pages' were used for storage or decoration. However, for this cushion cover decoration I used a double-sided iron-on interfacing; the Silhouette Clean Cut Fusible Fabric Stabiliser. The stabiliser adds a thick adhesive to the felt, making it easier to cut and also helps to protect the mat from felt fibres too.
You can read the Needle Case post here.

Clean Cut or Cut & Sew?
Silhouette make two types of stabiliser; Clean Cut and Cut & Sew. Cut and Sew has a thinner adhesive better used in applique type projects where machine sewing or heat transfer vinyl edging is used to neaten and secure the fabric edges. Clean Cut has a thicker adhesive and is better for projects where the fabric edges will be on view and there is minimal machine stitching.


SUPPLIES NEEDED:

Felt Sheets (I used a 30% wool acrylic viscose blend)
Embroidery Thread and Needle
Iron (on a non-steam setting)
Brayer (optional)
Downloaded Cactus File by Doodlebug Designs (#160411)


STEP 1: PREPARING THE FILE

Open the downloaded design in the Silhouette Studio® software and resize the design to suit the size of your cushion cover.

Duplicate the flower and flower centres and resize two of them, making them different sizes and smaller than the original.




Prepare a printing sheet to act as a template for the hand-stitched decoration and print out. I removed the fill colours and changed the lines to black before printing. You could put these on separate sheets with print and cut marks, but I just trimmed mine roughly by hand.




Make the lower part of the flower pot cuttable in one piece by aligning the white part with the dark pink piece and welding the two pieces together (Object > Modify > Weld).



Delete the large background piece (or move aside) and arrange the other pieces with space around them for cutting.




STEP 2: PREPARING THE FELT

Group elements of the same colour together and then click on each group in turn to ascertain it's size. Cut out rectangular pieces of interfacing an inch or so bigger than each group and iron it onto the felt using a wool/synthetic setting to match the felt mix.  The interfacing is applied with the rough side to the felt and needs a firm pressure for only a few seconds. Full instructions are included with the product.
TIP: I found it useful to round the size up to the nearest inch (or half inch for smaller pieces) to match the markings on my cutting mat.

Once the felt is firmly adhered, trim your felt piece to size and peel off the paper backing.



Set your Design Page Settings to match the size of your mat and move the slider in Reveal to a point where the mat and numbers are just visible.

When all the colours are prepared, arrange them on the cutting mat aligned to the inch markings with the interfacing side to the mat, ensuring they are all firmly attached. You can roll a clean brayer across the felt a few times to be sure. Rearrange the elements on your mat in the software to match your actual felt pieces on the cutting mat. I added a box around each group of elements to match the size of each felt piece and centred the elements within the box (ensuring that the boxes were set to No Cut).
TIP: Use a little painter's tape to secure any edges where cut lines are close to the edge of the felt piece.






STEP 3: CUTTING THE FELT

In Cut Settings choose the Fabric (Thick like canvas) setting.

Click on the chosen setting in Material Type (Tool 1) so it displays the Editing Fabric part. Select your chosen blade and adjust the settings. (I changed the blade to AutoBlade and reduced the blade depth to 4 and the thickness to 31).



Felt can vary in thickness, so you'll need to work out what settings suit your felt best. Although I'd usually recommend a test cut first, with felt (as the Test cut function is so close to the mat edge) I skipped the test cut and reduced the blade depth a little on the first cut, with the intention of cutting again if it proved necessary.

All the pieces cut beautifully with the first cut however,  but some colours (even with the same brand of felt) can be more dense or fibrous and require a second pass. Really obstinate pieces may require some clear tape on top of the felt to improve the cleanness of the cuts (see my needle case post) but I found it unnecessary for this felt.

Some of the pieces may require some minimal trimming with scissors to neaten the cut edge (see the top of the darker pink pot rim).




STEP 4: APPLYING THE FELT

Once all the pieces are cut it's just a case of ironing them on to the cushion cover following the instructions on your pack.




STEP 5: FINISHING TOUCHES

Once the pieces are ironed on you can embroider the design as you please. I used a plain stitch with 2 strands of embroidery thread, using my template for placement of the cactus spines and pot detail.



When you've finished, just pop a cushion form inside the cover and you're done!

Here are some of the details on my finished cushion cover.






I hope you have as much fun cutting felt on your Silhouette CAMEO® 3 as I did.  Feel free to ask any questions in the comments below.



CORRECTION: I have amended the felt composition - it is 30% Wool, 70% Viscose. 
Following a query in one of the Facebook groups I have tried cutting a similarly-sized design in 100% synthetic felt and the cut settings need to be very much higher with less satisfactory results, so I do recomend that you use a wool blend if at all possible.


Bye for now,


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Saturday, 25 June 2016

No Sew Appliqué with HTV Embroidery Stitching

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir
Hi Nadine here with a tutorial on how to make no sew appliqué with embroidery style heat transfer vinyl (HTV) edging.  This tutorial builds on my last two, as it works in much the same way as my earlier appliqué tutorial here, but rather than a plain border, we will use my free Crafter Stitch font covered in this tutorial to create a fancier embroidery style edge.

What you’ll need: 

  • Silhouette CAMEO
  • Silhouette Clean Cut Fusible Stabilizer 
  • Heat Transfer Vinyl
  • Fabric 
  • Garment (baby onesie)
  • Free Crafter Stitch Font - download here

STEP ONE: Prepare and Cut Fabric

 

Prewash your fabric, apply the clean cut stabiliser and cut your shape.  Refer to Steps One and Two from my previous appliqué tutorial if this is your first time.

I cut the elephant (Design ID 6985) at 8.5cm tall and 10.9cm wide and the bunny (Design ID 76573) at 10.6cm tall and 11.9cm wide. For the elephant design, I used HTV for the name, whereas for the bunny project, I used fabric and selected Arial Rounded MT Bold (standard free font) in size 130pt to spell out my niece's name Emily.

Optional - depending on your fabric, you may want to use the Pixscan mat.  I did this for the elephant fabric as I wanted the mandala pattern be centred.

I took this quick snap of the fabric on my mat with my iPhone:

I loaded the photo via pixscan menu.  As long as you have the full mat in the picture and the lighting is OK, don't worry about background or a slight tilt, the software can handle that.  The white lines are the shapes I added to be cut, positioned so the pattern works nicely.

Tutorial for No Sew Applique and HTV using Pixscan Mat.  Silhouette UK Blog post by Nadine Muir

 Load the mat and cut with the fabric blade as normal.

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir


STEP TWO: Pick your Embroidery Stitch

Use the Character Map to help pick your stitch.

For the elephant I went for uppercase letter V to create a heart style stitch.   Font size was 22pt and character spacing was 25%.  For the ear, the size was 30pt, character spacing was 27%.  I also switched out the eye and bubbles for some hearts (Design ID 54935).  The font used for the name was ED Vintage Valentine Font (Design ID 74433)

For the bunny, I used uppercase letter N to create a blanket stitch.  Font size was 20pt and character spacing was 25%.

Use the text to path functionality described in last week's tutorial to curve the stitches around the shapes.

STEP THREE: Convert to Path and Weld

To convert the stitches from text into a regular shape and lock the shape, right click and convert to path, then weld.  If your stitch is a little thin, you can use the offset tool to make the stitch bolder.
Top tip
I'm a fuss pot and sometimes a 0.01cm offset is too big for me, but this is the smallest increment for the software.  To get around this, here's a wee trick I do: scale the shape to double the size, offset by 0.01cm, then scale back again by 50% and voila, you have a 0.005cm offset!

Offset trick for Silhouette Studio from Silhouette UK Blog post by Nadine Muir

STEP Four: Cut HTV and Apply to Garment

Now we have the stitch border ready, we just complete the project in the same manner as we did in the plain border tutorial.  In summary, this is to mirror the pattern, cut and weed the HTV.  Then apply to garment.  You can align the fabric on the HTV and apply in one step, but I like to apply the fabric for just a couple of seconds and then apply the HTV as there is less moving parts!

FINISHED PRODUCT

Here are photos of the finished product.  I had such fun making these, I also made lots of others with different stitches and fabric.  It was also very effective with glitter HTV.  For photos of these extra projects, I've added quite a few of them to my Instagram site.

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir

Tutorial for No Sew Applique and HTV using Free Crafter Stitch Embroidery Dingbat Font from Silhouette UK Blog by Nadine Muir


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Pixscan cutting mat for Cameo

Tuesday, 14 June 2016

Design of the Week Father's Day Card - How to Cut Tartan Wool Fabric


How to Cut Tartan Wool Fabric with Silhouette Cameo.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

Hello, Nadine here with a Father's Day card tutorial using our free Silhouette Design of the Week.

You can of course cut your tie using normal paper or card or fabric.  In fact, a cute idea that my friend has been doing is photographing fabric and loading as a pattern for print and cut.  I had some of our family tartan left over from another project, so decided to see if the Silhouette could cut it.  As it's a thick wool, I feared that a clean cut would be difficult, but it worked wonderfully, so I'm already plotting lots of cushions and interior design projects involving yummy wools and tweeds!

What you’ll need: 

  • Silhouette Cameo/Curio/Portrait
  • Regular and fabric blades
  • Silhouette Mat
  • Paper and Card
  • Sketch Pen / Pen holder
  • Fabric for the tie (I used a swatch of tartan)
  • Silhouette Clean Cut Stabilizer
  • Optional  
    • Mini brads 

 

STEP ONE: Create Faux Stitching

I used small ovals to create a stitched effect on the collar.  Replicate an oval sized 0.186cm by 0.08cm to create 11 identical ones and use the Space Horizontally option within the Align Window to make sure they are evenly spaced.  Once you have the top row, rotate a copy for the vertical line and then mirror to make the opposite side.

Faux stitching for Father's Day card.  Tutorial by Nadine Muir for Silhouette UK Blog

I used a pearlescent paper so cut with the standard Patterned Paper cut settings.

STEP TWO: Stabilise Fabric


I used the clean cut stabiliser, but the sew version would work equally well.  Iron onto the wrong side of the fabric for just a couple of seconds and peel back the paper.

How to Cut Tartan Wool Fabric with Silhouette Cameo.  Stabilize with Silhouette's Clean Cut Stabilizer.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

STEP THREE: Cut Fabric


As I wanted to cut my tie exactly aligned to the tartan lines, I used the PixScan mat.

How to Cut Tartan Wool Fabric with Silhouette Cameo.  Use Pixscan mat to align shapes to tartan pattern.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

How to Cut Tartan Wool Fabric with Silhouette Cameo.  Pixscan menu in Silhouette Studio.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

Cut using your fabric blade on a depth setting of 5 and thickness of 33.  If like me you hate waste, go ahead and add shapes for different projects to be cut also. You'll notice I welded the tie and knot and cut a second separate knot, I did this so that the knot would layer smoothly onto the one beneath.

STEP FOUR: Create Sentiment Banner

I point-edited a rectangle to make a banner - see steps below:

How to make a simple banner in Silhouette Studio.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

I used Sketch Serif Font from the Silhouette Design Store (# 53543) in 15pt to write the message.  Sketch pens are quicker and easier for a small shape like this than print and cut, so I used a gel pen in the Silhouette pen holder.

STEP FIVE: Create Backing Card

This is optional, but I think a backing card makes the card look more luxurious and also gives you more space to add a sentiment.  I used 280gsm watercolour paper and made it just a few millimetres smaller than the card so the edges were not visible.  The message was written with the same Sketch Serif Font, this time in 25pt.

STEP FIVE: Assemble

Fix the tie to the card.  As I used the clean cut stabiliser, I just went ahead and ironed it to the paper.  Fold the collar down and attach the banner at the bottom with glue or fix in place with mini brads.  I then used double sided sticky tape to attach the backing card and we are done!

Finished Product:


How to Cut Tartan Wool Fabric with Silhouette Cameo.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

How to Cut Tartan Wool Fabric with Silhouette Cameo.  Close Up of Tartan Tie in Father's Day card.  Tutorial by Nadine Muir for Silhouette UK Blog

How to Cut Tartan Wool Fabric with Silhouette Cameo.  Father's Day card tutorial by Nadine Muir for Silhouette UK Blog

How to Cut Tartan Wool Fabric with Silhouette Cameo.  Father's Day Tie card tutorial by Nadine Muir for Silhouette UK Blog



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Serif Sketch Font #53543

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Pixscan cutting mat for Cameo